“Orca Ballet” black and white scrimshaw on ancient mammoth tusk ivory bark by David Smith. A graceful orca duo in sync for Orca ballet. Fine work by Smith, as always. Nice color in the mammoth bark the result of minerals absorbed into the ivory over thousands of years.
“Peggy’s Cove Light” color scrimshaw on ancient mammoth tusk ivory bark by David Smith. Note how the blue sea compliments the colorful bark. Nice touch by veteran scrimshander, Smith. Really like the shadow on the lighthouse as well. Peggy’s Cove Lighthouse, also known as Peggy’s Point Lighthouse, is one of Nova Scotia’s most well-known lighthouses and may be the most photographed in Canada. Located in the quaint fishing village of Peggy’s Cove along the South Shore, Peggy’s Point Lighthouse was built in 1915.
“Nauset Light” color scrimshaw on ancient mammoth ivory bark by David Smith. Excellent rendition of well known East Coast lighthouse. Nauset Light, officially Nauset Beach Light, is a restored lighthouse on the Cape Cod National Seashore near Eastham, Massachusetts, erected in 1923 using the 1877 tower that was moved here from the Chatham Light. It is listed on the National Register of Historic Places
“St. Mark’s Light” color scrimshaw on ancient mammoth tusk ivory bark by David Smith. First rate work by Smith on choice piece of mammoth bark. The St. Marks Light is the second-oldest light station in Florida. It is located on the east side of the mouth of the St. Marks River, on Apalachee Bay.
“Alpha Wolf” black and white scrimshaw on stunning blue mammoth bark ivory by David Smith. This leader has it all, judging by his commanding appearance. He could easily be “best of show” material. The rare blue tones in the mammoth ivory are outstanding, to say the least.
“Bald Eagle Portrait” black and white scrimshaw on ancient mammoth tusk ivory bark by David Smith. The fierceness of the eagle is captured by Smith in this gem. It is said Benjamin Franklin wanted the turkey to be our national bird, not the eagle. Although Franklin was correct in many things, he was dead wrong about the turkey.
“Thoughtful Silverback” black and white scrimshaw on rare blue ancient mammoth ivory tusk bark by David Smith. Silverback seems to be quite serious, perhaps thinking about his well hidden group. This piece of ivory is simply amazing with the rare blue tones and, also, it is very thick with no checks whatsoever. Scrimshander, Smith, has used the ivory to the very best advantage. Stunning cocobolo stand completes the picture.
“Racing Schooner Closeup” black and white scrimshaw on ancient mammoth tusk ivory bark by David Smith. One can feel the speed of this handsome vessel. You can see the captain at the helm, probably barking orders to his well trained crewmen. Smith really takes you right into the action with this one. Note the angle of the ends of the ivory matching the shape of the base. Nicely done.
“America’s Cup Schooner” color scrimshaw on ancient mammoth tusk ivory bark by David Smith. Racing schooner with massive sails (some had over 10,000 sq. ft.)! Highly detailed work by master scrimshander, Smith. Look closely and you can see the crewmen on board. Nice touch with blue sky high above, concentrating one’s attention on the lovely schooner herself.
“Something in Common” black and white scrimshaw on ancient mammoth tusk ivory bark by David Smith. Both the polar bear and orca are kings of their domains, one above water, the other, below. Scrimshander Smith has the two comparing notes during a chance meeting. Curiosity on both sides is evident. Really like the way the bear has his head slightly turned as he sees the orca. Fine composition by one of the best working today.