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Battle of the Ironclads – 1862

“Battle of the Ironclads – 1862” black and white scrimshaw on ancient walrus tusk ivory by David Adams. Famous Civil War battle scene that Adams brings alive. Very thick and heavy piece of ancient walrus tusk ivory mounted on one of the best pieces of cocobolo that we have seen. Information from the internet:

Battle of the Monitor and Merrimack | Summary & Facts ...

The clash between the USS Monitor and the CSS Virginia (built from the remains of the USS Merrimack) at the Battle of Hampton Roads (March 9, 1862) is historically significant because it was the first-ever combat between ironclad warships. This event instantly rendered the world’s wooden navies obsolete and marked the dawn of modern armored, steam-powered naval warfare.

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Bengal Cooling

“Bengal Cooling” color scrimshaw on ancient walrus tusk ivory artifact by David Adams. Bengals love water and this one seems to be having a great time. Note the reflection in the water, whiskers and coat. Incredible work by Adams here. The ivory was used as an ice axe hundreds of years ago in the Northern Bering sea area. It is quite heavy; the back side shows how it was worked. There was just a hint of workable surface on the front side and see what Adams had created. The dark chasms in the background had no workable surface, but Adams created the side of the mountain with the stream running down the crevice. Brilliant touch. This illustrates how he studies the complete piece before beginning his work. Elegant stand completes the picture. A keeper if there ever was one!

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Lighthouse Compound

“Lighthouse Compound” black and white scrimshaw on ancient walrus tusk ivory artifact by the late Salman Rashidi. Fine use of artifact used as a sled runner by natives in the Northern Bering Sea area hundreds of years ago. Fine detail by Rashidi of the lighthouse itself with the addition of a passing schooner on the right side. From the collection of one of our clients who is no longer with us. Stand was lost along the way. Not many Rashidi pieces around these days.

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King of the Mountains

“King of the Mountains” black and white scrimshaw on ancient walrus tusk ivory artifact by David Adams. First rate composition by talented scrimshander, Adams. One’s attention is drawn to the center with the soaring eagle, then to the right picking up the almost hidden waterfall. Finally, one sees the enormous eagle’s head with the piercing eye. The eagle’s sight is astounding as they can see an rabbit from two to three miles away! This ancient walrus tusk was used as an ice axe by natives in the Northern Bering Sea area hundreds of years ago. Museum quality condition and it weighs 2 lbs., 5 oz.! Very few of these around today. From one of our clients who is no longer with us. Everything works on this one.

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First Contact

“First Contact” black and white scrimshaw on ancient walrus tusk artifact by Gregg Olson. Amazing artifact used as a sled runner on the sleds of people in the Northern Bering Sea hundreds and hundreds of years ago. At some point it appears to have been subjected to fire. As can be seen, the underside is completely black and charred. It is unbelievable that enough ivory remained on the other side to enable Olson to create this unique scene. The scrimshander has chosen to divide the surface into three separate panels: (Eskimo Pictograph, First Contact and 18th Century Map) all of which tell a story. This is from the collection of one of our clients who is no longer with us. His estate requested us to price it to move, which we have done. This could easily be priced at $2800.00. Good deal here for someone.

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China Tea Clipper

“China Tea Clipper” black and white scrimshaw on large cross cut piece of ancient walrus tusk ivory. Framed work would look nice hanging on a wall or set in an easel on a collector’s desk. Created by Williams 1988 when he was working in Maui. Later he moved to the Bay Area and did many, many pieces for Scrimshaw Gallery. This is from one of our collectors who is no longer with us (ditto Williams) who probably got it in Maui. By the way, this is cross cut came from a very large ancient walrus tusk. Not many that size around today. Excellent opportunity to add a vintage Williams work to one’s collection at 1988 prices.

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Cliff Dwellers

“Cliff Dwellers” mainly black and white scrimshaw on ancient walrus tusk ivory by David Adams. Amazing composition by Adams on this one. Perfect subject matter for the size and shape of the ivory.The way the tip of the tusk was broken off years and years ago gives the impression of a mountain top. Mounted on a stunning R. Cash lacewood stand, this would be a welcome addition to any serious scrimshaw collection.

Taken from the internet:

The mountain goat, also known as the Rocky Mountain goat, is a cloven-footed mammal that is endemic to the remote and rugged mountainous areas of western North America. A subalpine to truly alpine species, it is a sure-footed climber commonly seen on sheer rock faces, near-vertical cliffs and icy passages.

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Serengeti Scene

“Serengeti Scene” color scrimshaw on ancient walrus tusk ivory artifact by Matt Stothart. Veteran scrimshander, Stothart, always creates stunning work, as can be seen here. This is a very large artifact that was used as an ice axe hundreds of years ago by people in the Northern Bering Sea area. It is in museum condition and quite heavy (1 lb., 14.9 oz.)! Mounted on a classic Cash bubinga stand, this is a rare work, indeed. There is very little of this quality of artifact ivory around today. It is from the collection of one of our clients who is no longer with us and had an extensive collection. The word “Serengeti” comes from the Maasai language and translates to “endless plains” or “a place where the land runs forever”.

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King of the Serengeti

“King of the Serengeti” color scrimshaw on ancient walrus tusk ivory artifact by Gary Dorning. Considered to be the very best wildlife scrimshander ever, Dorning’s work is prized by collectors far and wide. The ivory was used as a ice axe by people in the Northern Bering Sea area hundreds of years ago. The word “Serengeti” is taken from the Maasai language and translates to “endless plains” or “a place where the land runs forever”. Dorning has captured that feeling with this amazing work. Not a great deal of Dorning’s work comes up for sale and most collectors are loath to part with his work. This is from the collection of one of our clients who is no longer with. He added this piece to his extensive collections decades ago, which is why the price is so reasonable for a Dorning.

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African Black Panther

“African Black Panther” color scrimshaw on ancient walrus tusk ivory artifact by Matt Stothart. Ivory used as a net sinker by people in the Northern Bering Sea area hundreds and hundreds of years ago. Beautiful bubinga stand created by Cash is a work of art in itself. This magnificent animal looks like he is just taking his time in the shade, resting behind a tree limb. Excellent work by Stothart/Cash on this keeper. From the extensive collection of one of our clients who is no longer with us. Really like this one.

Taken from the internet: A black panther is the melanistic colour variant of the leopard (Panthera pardus) and the jaguar (Panthera onca). Black panthers of both species have excess black pigments, but their typical rosettes are also present. They have been documented mostly in tropical forests, with black leopards in Africa and Asia, and black jaguars in Central and South America. Melanism is caused by a recessive allele in the leopard, and by a dominant allele in the jaguar.

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